Daniel Néstor Tulloch Jiménez holds a degree in Art History from the University of Barcelona, where he submitted a final project entitled ‘Visiones subordinadas en el arte español del Siglo de Oro. Análisis de las representaciones artísticas de la Conversión definitiva de Santa Teresa de Jesús y el Milagro de Segovia de San Juan de la Cruz’ [Subordinate visions in Spanish Golden Age art. Analysis of the artistic representations of Saint Teresa of Jesus’s definitive conversion and Saint John of the Cross’s Segovia miracle], supervised by Professor Silvia Canalda Llobet. He has collaborated with the Department of Art History at the University of Barcelona on the project Polifonies. Relats per deconstruir la violència masclista des de la Història de l’Art [Polyphonies. Stories to deconstruct male violence from art history] thanks to a collaboration grant (Ministry of Education, Culture and Sport, 2024/2025). During the 2023–24 academic year he completed an Erasmus+ stay at the Faculty of Humanities of the Universiteit van Amsterdam to study seventeenth-century art in a trans-European context. In May 2025 he was awarded a PRIN2022 grant from the Università degli Studi di Milano to participate in the XIV Abrils de l’Hospital conference, where he presented The Hospital de St Saver Project linked to his collaboration on the opening of the Casacuberta Marsans collection exhibition venue as an assistant coordinator (2024/25). In the summer of 2025 he furthered his training at the Museo del Prado Summer School through a programme combining specialised seminars with hands-on activities involving the artworks and the institution. His line of research focuses on religious imagery in Spain in the late sixteenth and seventeenth centuries, with particular attention to pictorial representations linked to Castilian mysticism.

Diego Martín Hermosilla is an Art History graduate of the Universidad Complutense in Madrid (UCM). During the 2023–24 academic year he completed an Erasmus+ stay at the Università degli Studi di Roma Tor Vergata, where he began studying Italian art of the Early Modern period. In 2025 he was awarded a grant to collaborate with the Department of Art History at the UCM. He also completed an internship at Sotheby’s auction house and received practical training at the Museo del Prado 2025 Summer School 2025 in a course focusing on research, museum management and exhibition coordination. His final degree project, ‘El taller de Rafael: estructura, producción artística y legado visual en la Roma renacentista’ [Raphael’s workshop: structure, artistic production and visual legacy in Renaissance Rome], supervised by Professor Félix Díaz Moreno, studies Raphael’s workshop as a space for collective production where a novel organisational system inspired by humanist values was implemented. The study addresses the history and various operational aspects of the workshop, as well as the dynamics of collaboration and the visual legacy passed on to his collaborators. Analysing these spaces of artistic creation in the Italian Renaissance from a plural and multidisciplinary perspective is one of his main areas of interest.

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