This book examines the private collecting of painting in Madrid during the nineteenth century and the mercantile structure that underpinned it. The author analyses more than 140 private collections and studies the presence, development and running of shops, fairs, markets, estate sales, antique dealers and art galleries, many of them hitherto unknown, as well as surveying the role of the foreign collectors and artists and restorers who acted as advisors, intermediaries, sellers, promoters and agents.

Its chronological structure allows the author to contextualise the collectors and explain the assembly and dispersal of their picture galleries, as well as the significance, contents and critical fortunes of these holdings. He also studies the role played by private patronage and traces the development of tastes in Spanish painting throughout the century from an almost exclusive focus on the Old Masters to a growing presence of contemporary artists following the Restoration.

This volume, which is replete with new and significant data gleaned from many archives and a variety of sources (inventories of possessions, receipts of dowries, auction catalogues, contracts, collections of letters, the press, photographs and literary texts), paints an accurate and eloquent picture of collecting in Spain. It provides a huge amount of information and solid foundations on which to build for anyone wishing to examine this field – first explored here with excellent results – in greater depth.

Pedro J. Martínez Plaza holds a PhD in Art History from the Complutense University in Madrid. He worked for the Documentation Department of the Museo Nacional de Artes Decorativas and since 2010 he has been with the Department of 19th-century Painting at the Museo del Prado where, as a member of the curatorial staff, he has taken part in various projects such as coordinating the general catalogue of the collection (2015). His lines of research are centred on collecting and the art market, as well as studying a few nineteenth-century painters (Antonio María Esquivel, Emilio Sala, Cecilio Pla) and publishing collections of letters.

Public launch at the Prado Museum

“Este monumental trabajo demuestra que aún pueden realizarse investigaciones de altísima calidad, repletas de aportaciones novedosas. […] Nos encontramos ante un riguroso trabajo de investigación, pero también ante una herramienta de búsqueda muy útil, ante un libro de consulta completísimo para todos aquellos interesados en el tema”, Laura Arias Serrano, Anales de Historia del Arte

“Martínez Plaza se adentra con éxito en un complejo escenario ofreciéndonos una exhaustiva y completa obra sobre el coleccionismo privado y comercio de pintura en Madrid —centro principal del mercado nacional e internacional de arte en el país— a lo largo de aquel siglo”, María José Martínez Ruiz, Archivo Español de Arte

“El autor ha trazado una complejísima red integrada por agentes de muy distinto tipo: coleccionistas, mecenas, marchantes, viajeros extranjeros, comerciantes de obras de arte. Es, al mismo tiempo, la riqueza que ofrecen este tipo de estudios, que requieren una revisión de fuentes diversas: inventarios de bienes, catálogos de subastas, epistolarios, prensa, etc.”, Guillermo Juberías Gracia, Artigrama

“Referencia obligada para el estudio del coleccionismo de pintura española en el Madrid en el siglo XIX y también para los estudiosos de otras materias artísticas de esta época por las importantes aportaciones documentales que incluye”, Además de