Francisco de los Cobos y Molina (c. 1485/87−1547), advisor to Emperor Charles V, was a remarkable figure on account of his wealth and influential political position. In a period marked by intense political and social changes, he successively used the representational capacity of architecture and the display of luxurious objects as effective strategies for achieving social ascent, gaining acceptance from the aristocracy, and establishing a noble bloodline. Through his actions he enriched Spain’s sixteenth-century art scene, attracting masters such as Sebastiano del Piombo, Titian, Michelangelo and Alonso Berruguete.

This book examines the relationship between patron and artists, identifies cultural exchanges with other European courts such as those of Italy, Flanders and England, and reconstructs the movement of artworks as a result of the trade in luxury goods and international diplomacy. Cobos’s activity constituted a singular discourse for shaping an ideal model of the person in power, but it also provided a service to the monarchy, whose image – public influence, pomp and splendour, palaces, royal sites – the imperial secretary played a highly significant role in shaping. This study likewise opens up new avenues for understanding the representative and political function of artworks at the Spanish court during the first half of the 1500s.

Sergio Ramiro Ramírez, who holds a doctorate in Art History from the Universidad Complutense in Madrid, is Ramón y Cajal postdoctoral research fellow at the Instituto de Historia of the Consejo Superior de Investigaciones Científicas (CSIC). His lines of research are centred on the political use of art at the courts of Charles V and Philip II, women’s artistic agency, and cultural exchanges between Italy, Central Europe and Spain during the Early Modern Age.

“Ramiro Ramírez’s substantial new book fills a lacuna in the scholarship, since, as a significant Maecenas of the arts during Charles’s reign, Cobos was arguably the least discussed among his contemporaries until a revived interest was generated at the time of the millennium”, Piers Baker Bates, Journal of the History of Collections

“El buen acabado material invita a la lectura sosegada de este gran trabajo de investigación, un referente para todos los académicos que pretendan acercarse a la relación de Francisco de los Cobos con las artes”, Francesc Granell Sales, Ars Longa

“Se trata de un excelente estudio biográfico, pero no solo, pues es un riguroso trabajo sobre las historias del mecenazgo y del coleccionismo, de la arquitectura y del urbanismo, de las políticas de la cultura visual y de sus usos político-culturales. Es, además, una aproximación a los matices de la esfera cortesana”, Adam Jasienski, Goya

“Ramiro ha seguido […] la trayectoria vital del personaje, pero preferentemente a través de la selectiva mirada y del análisis de la Historia del Arte, a veces más reveladora que el frío documento histórico”, María José Redondo Cantera, Cuadernos de Historia Moderna

“Para ilustrar la relación entre clientes y creadores, Sergio Ramiro analiza los múltiples y heterogéneos contactos entre los productos culturales, las élites políticas y los artistas”, Metahistoria

“Un texto honesto y elegante. […] Cobos fue un hombre de su tiempo, con sus inseguridades y aciertos, luces y sombras descritas con detalle por esta interesante publicación”, Borja Franco Llopis, Quintana

“Un libro suculento, que el amante de las artes, de la historia o de la sociología sabrá aprovechar con toda seguridad”, Carolina Molina, Ideal